Get a FREE copy – Of Ice & Magic

Get a FREE copy – Of Ice & Magic

Of Ice & Magic

FREE for Kindle – Aug 10th through Aug 14th

Amazon Best Seller: USA #3, UK #9, CAN #5

oficeandmagic_3d_200 Magic still lurks in the dark corners of the world, and at the ends of the Earth the last remaining life-forger, Fornulf, plies his trade, crafting legendary living-blades for those few nobles who can afford them.   Betrayed and on the run, Fornulf and his family must enlist forgotten allies and forge new alliances to rid their homeland of evil. To defeat the usurper and save his people, Fornulf is forced to make a choice no man should have to. – Filled with magic, betrayal, heartache, and courage, “Of Ice & Magic” defines Epic Fantasy. * A Novella (19,300 words) Listen to the author read the first chapter!

LISTEN to Chapter 1:

Listen on YouTube

Interested in Viking Runes & Magic?

The Runes in 9 Minutes

#5 Best Selling Book on Amazon!ri9_200w

From the Award Winning Author of “Northern Lore”, comes “The Runes in 9 minutes”. In 9 minutes you will be using the runes for personal development and exploration. Of course you aren’t going to master the runes in 9 minutes, but you can start! We’ll even teach you how to create your own set of runes. All you need, in addition to this book, is a sheet of paper and something to write with. Kindle $2.99     Paperback $9.95 In this book you will: 

    • Make your own set of 24 Elder Futhark Runes
    • Learn how to use the runes in 3 essential layouts
    • Discover a Never Before Published way to use the runes!
    • Interpret their meanings in the context of your life
    • Study the symbolism of each ancient symbol
    • Explore different types of runes such as the Elder Futhark, Anglo-Saxon
    • Futhorc, and Younger Futhork
    • Uncover the history and culture behind the runes

This is a book of runes for beginners, and as such, I designed it to be a concise and inexpensive introduction. If you like what you see and the runes are for you, then you can extend your studies. If the runes aren’t your thing, then you haven’t invested much time or  money. Call it a runic sampler if you will.I hope you enjoy the book. My goal is to share something that’s very dear to  me, and that has been part of our Northern culture for thousands of years – worthy of study.

Of Ice & Magic – Chapter 1

Of Ice & Magic – Chapter 1

Magic still fills the dark corners of the world. At the ends of the Earth the last remaining life-forger, Fornulf, plies his trade, crafting legendary living-blades for those few nobles who can afford them.
Betrayed and on the run, Fornulf and his family must enlist forgotten allies and forge new alliances to rid their homeland of evil. To defeat the usurper and save his people, Fornulf is forced to make a choice no man should have to.
– Filled with magic, betrayal, heartache, and courage, “Of Ice & Magic” defines Epic Fantasy.

LISTEN:

YouTube

READ Chapter 1:

The old gods died. Magic died. I wept to see them gone. 

I had been born in a world overflowing with magic and gods, in a time when bravery was the most noble of virtues and a maiden the most treasured prize. Such is not the state of the world today. 

While I relax on a bed of velvet, safe behind glass walls which stand upon a finely crafted oak floor, people come to admire my beauty. They glimpse their faces in the reflection of my perfect skin and marvel at the lines and curves of my exquisite physical form.

True, I bask in their admiration, and their envy that they are not as well formed. Yet my home is but a prison.

I have lived, or should I say, existed, for a thousand years. I say that because living implies freedom and I have none. As the lights fade each night and my admirers retire, I slip into a world of dreams, a world filled with my past glories.

It began at the ends of the world, on an island of ice and magic which had risen up from the frigid sea. On that island a clever smith named Fornulf had built a forge into the side of a great fiery mountain. Not an ordinary forge, mind you, it was a fjor’tyna—a life-forge.  

Certainly he could make common weapons there; they were the building blocks of his marvelous works, but a life forge was a womb that birthed the most marvelous of artifacts. The most cherished of these were the fjor-sverds—the living swords. Some said Fornulf had studied under the ancient dwarven smiths, the sons of Ivaldi, but who can say.

Fornulf was an apt name for him as it meant ancient wolf. With his graying hair and silver beard he looked the part. He was cunning too. And I do not mean just in ways of smithing. No, he was too clever by half for any mortal man, though he spoke little, causing many to underestimate his guile. I warn you now, never underestimate a life forger; for only the wisest and most cunning of men can learn such art.

###

Under a full moon, Fornulf’s forge glowed with a hellish hue as the bellows sprayed water to cool the magma, great clouds of searing steam exploding into the air. This was no ordinary forge. Here on the edge of the ancient mountain, raging fire and horrendous heat were ever present as molten rock flowed from the depths of Muspelheim, the kingdom of Surt and home of the fire giants. While a normal forge must be stoked to breathe life into it, the life-forge had to be cooled, so water was pumped over the lava to regulate the heat.

Hues of sunset and blood illuminated the small stone room. Fornulf’s heavy leather apron hung singed and burned from a thousand such nights at the forge. The leathery skin on his arms and face was in no better shape.

On that moonlit night, Fornulf’s hammer rang against a blade as it struck the anvil. Sparks flew and the sword blade sang at its makers bidding. Fornulf’s son, Karl, had been his apprentice for six seasons. He was handsome and strong, and almost a man at seventeen years old.

Karl held the sword on the anvil with a pair of tongs, flipping it as his father struck the blade. Every so often Fornulf would thrust the blade back into the maw of the life-forge allowing the liquid rock to sear the metal. Karl would pump the bellows, causing the lava to scream as the water cooled its brilliant skin to black. Then the hammering and flipping would continue.

The blade had been forged of sky-iron, taken from a rock that fell from the sky. Such metal was said to have much magic. To that twisted lump, Fornulf added ores of gold and silver, and one thing rarer than all: powdered diamond. A life-forged blade was the most expensive weapon a noble could buy; no commoner could ever afford one.

Fornulf had come from the northern mainland, but now made his home on the island of ice and fire. He’d brought his new bride and their two babes to make a fresh start after a plague had taken his first wife and four of their children. He`d married again, in his mid thirties, but he was an old man now—fifty-one winters he’d seen.

Fornulf delivered one last hammer blow to the blade, then held it up to his eyes for inspection, scanning the yard-long length of fine steel, admiring the herringbone pattern and the runes incised on the blade. He nodded, satisfied with his work, then thrust the full length of the steel into a barrel of rendered whale oil to temper the blade. This was the most critical part of the process. The oil hissed, popped and bubbled as the metal cooled.

He motioned to Karl who immediately went out, returning a short time later with a naked young man, perhaps eighteen, followed by an older man in dark grey robes.

“Are you ready?” Fornulf ask the naked youth.The young man nodded, shivering in the cold air, protecting his modesty with his hands.

No names were exchanged. True names held great power over the owner of them. When magical forces were called upon, as they were about to be, every precaution was taken. The older man in the grey robes was simply known as a vitki—a wise man. He was skilled in the way of galdr magic, the spells of which were chanted.

A middle aged woman in a green robe slipped into the room as well. She was a seithkona—a spirit walker. She carried with her a hide covered drum.

Karl ushered the naked man to a stout oak table, where he was instructed to lay down. Fornulf carried the now cold sword blade in his bare hands.

“You must take the blade and hold it against your body. Do you understand?” Fornulf asked him.

The naked man nodded nervously.

“You do this of your own free will?” Fornulf asked him.

The naked man nodded again.

“I need you to say the words aloud so that the gods may hear you,” Fornulf said.

“I do this of my own free will and offer my life force to the sword,” the naked man said evenly.

Fornulf nodded to the vitki and the seithkona. Aside from Fornulf, they were the only two practitioners of the elder arts on the island, so rare were their gifts.

From inside his robes, the vitki produced a wooden wand, carved intricately with runic patterns. He walked to one side of the table where the naked man lay, and began to chant. The seithkona did likewise, standing across from the vitki, joining the  chant beating her drum rhythmically.

The nameless, naked man, held the sword across his chest and abdomen, trembling. Drumbeats and resonant chanting suffused the room. The ceremony may have lasted for minutes or hours, for time has no meaning when the worlds of men and gods touch, as they did that night.

The sword began to hum, to vibrate, to glow; the galdr chanting and drumbeats infused it with eldritch energy. The naked man began to vibrate . . . and to fade. At the perfect moment, Fornulf drew a dagger across the naked man’s throat and blood flooded the table.

The blade burned brighter, and brighter, threatening to blind them all, and the naked man faded away, like morning mist under the light of the sun. Fornulf threw up an arm to shield his eyes from the glowing metal, but as quickly as the light had flared, it was gone. The vitki and seithkona fell silent and silence filled the room. No, not quite silence. There was something. The blade . . . whispered.

The sacrifice had been accepted.

###

The next day great shadows slithered against the backdrop of jagged mountains. Fornulf had stepped outside of his house and gazed up at them. The rock on the island was as black as ink, much darker than his native lands. The seasonal moss and lichen spattered the black canvas in patterns of greens and yellows. Fornulf’s forge lay at the end of a deep canyon on the side of a fiery mountain, where liquid rock bubbled up from the bowls of the underworld.

“Riders,” Karl said.

Fornulf brushed soot from his apron and tried to make himself presentable. He’d worked throughout the night, as he had to finish fitting the hilt and cross-guard for the sword. It was done now. The sword was polished and oiled, ready for its new master. His family were quick to line up in front of the house, anxious to meet the wealthy gothi, or chief, for the first time.

Six riders on well-bred horses galloped up the track to Fornulf’s modest farmstead. Perched arrow-straight on the back of white stallion, sat Torgny Magnisson, Chief of Aegisheim. He’d been chief of the South Farthing for only a few years, taking over when his brother had died. It had been a bitter succession, as his brother had a son and heir. Torgny had judged the boy too young and had assumed the mantle of chief for himself. Of course, Torgny was the wealthiest man in the entire South Farthing, if not on the whole island, and few would dare to challenge him, lest they find their debts suddenly called in, or fail to find favor in days to come.

Fornulf’s forge lay on the western edge of the Eastfjord Farthing, close enough to Torgny’s territory, but he’d had few dealings with him till now. He’d made weapons and armor for Torgny’s men, but had never crafted anything for the chief himself.

Clad in bright mail and backed by a fine blue cloak, Torgny slid from his stallion. He was balding, but wore a well-trimmed beard that had once been straw colored, but now hung streaked with grey.

Fornulf limped forward, an old injury acting up that morning. He gave a slight bow. “Lord, it is an honor to have you at our humble steading.”

“Of course it is,” Torgny said with a smug smile.

Fornulf hadn’t expected that and felt rather uncomfortable.

“I jest, good smith, I jest!” Torgny said, clapping both hands on Fornulf’s shoulders. “Thank you for welcoming me to your home.” Suddenly Torgny’s nose twitched and he recoiled, his face twisting in disgust. “Gods above, what is that smell? Rotten eggs?”

“Ah, apologies, Lord. Vapors from the depths of the earth. We have grown accustomed to it living here. Like the urine pits of the weavers, the vapors are our burden.”

Torgny’s face wriggled under the assault, but he seemed to master his disgust. “You’re a brave man, Fornulf.” He smiled.

“May I present my family, Lord?”

Torgny made a sweeping gesture. “By all means.”

“This is my wife, Hildegund”

Torgny gave a nod to Hildegund and followed along with Fornulf’s introductions.

“This strapping young man is my son, Karl.”

Torgny gave him an appraising nod. “Strong. Good stock, eh?” he said looking at Fornulf. “He’ll make a good warrior I’d wager.”

Fornulf cleared this throat. “I hope he will make an even better fjorsmythr, Lord. He is my apprentice.”

“Indeed, a much rarer resource,” Torgny said.

“And this,” Fornulf said, “ is my daughter, Berengara.”

Torgny’s eyes grew wide at the sight of Berengara, and he said nothing for a moment. Fornulf’s daughter had that affect on men, such was her beauty—so like her mother.

Seeing Torgny’s discomfort and Berengara’s, Fornulf spoke up. “I’ll be looking for a husband for her this year, Lord. If you know of any good matches, I’d be much obliged for your counsel. She’ll be sixteen in a couple of moons.”

“Marriage?” Torgny said, trailing off. “Of course. Yes. She is … lovely.” He seemed to shake himself out of his fugue. “I will see what I can do.” He turned to Fornulf “Now, to business, good man. I believe you have something for me?”

“Yes, Lord.” Fornulf motioned to Karl, who produced a clean sheepskin bundle. Fornulf took the bundle reverently and turned back to Torgny. He inclined his head and unwrapped the bundle.

Lying on the wool side of the sheepskin, the completed sword glistened. Its handle carved of walrus ivory, and inlaid with tiny sapphires. Inset silver wire wound around the ivory, and runes representing hail and ice lay boldly stamped on the cross guard and hilt of the blade.

 

“You’ll notice it’s imbued with the runes for hail and ice, as you requested. As you use the sword, it’s will and yours will become one, it’s powers shaped by the union of your two life forces.”

HITorgny nodded absently.

“But what are these runes carved down the central groove of the blade?” Torgny asked.

ulfberht

Fornulf smiled, nodding. “Those are runes for ULFBERHT. He is the fabled fjorsmythr, the first of us, and my own master. His school is one of legend, and there is only one apprentice at a time. Ulfberht is now dead, and I have assumed my master’s fjorsmythr mantle. My son, Karl, is now the only living apprentice. Every sword that I forge bears Ulfberht’s name to honor his memory and his gifts to mankind.”

Torgny said nothing, he just stood, mouth agape.

“Have you a name for it, Lord?” Fornulf asked.

“Magnificent,” Torgny whispered.

“Its name, Lord?”

Torgny shook his head, appearing bewitched for the second time today. “No- I mean, yes, I have a name for it. Isbrunna.”

“Iceburn, that is a beautiful name, Lord.”

Torgny motioned for the blade. “May I?”

Fornulf held out the blade. “Of course, Lord.”

Torgny held the sword like a child with his first honeycomb. He was giddy with delight and Fornulf thought the Chief might actually cry. Torgny stepped back a few paces and swung the sword in a few arcs, marveling at the balance and lightness.

“It feels alive in the hand!” Torgny exclaimed.

“They do, Lord.” And of course, that wasn’t just metaphorically speaking—the swords had a soul, a will, if only a shadow of its former self. “Your sword’s power will blossom as you use it. As you and the sword become accustomed to each other, your mastery of its power will grow. Like any new skill, Lord, it will take some getting use to.”

“Have you made many?” Torgny asked, never taking his eye from Isbrunna.

“No, Lord. Only a handful these last thirty years. Only nobles such as yourself have the silver to pay for the materials.” What he didn’t add, as the chief well knew, was the fact that such a blade demanded a living sacrifice—a willing sacrifice. A man had to pay a fortune for a someone to give his life willingly to a blade. Those who did might be down on their luck and were offered fortunes, or position for their family, in exchange for their sacrifice—a price very few wanted to pay. It did not mean offering their lives, it meant offering their souls. The sacrifice would then dwell inside that weapon until it was destroyed, or until the end of time itself.

“Well, then I count myself very lucky that you sailed to our little island, Fornulf.”

“It pleases me to know my work will bless your household, Lord.”

Torgny handed the sword back to Fornulf who wrapped it up in the sheepskin. Torgny snapped his fingers. “Kraka.” A wiry man with a wild and frizzy head of red hair, and a matching beard, retrieved the bundle.

“Now, if only my leatherworker can craft a scabbard to do Isbrunna justice …” Torgny trailed off.

“Your man Sigurd is a fine craftsman, Lord, I know him well. You’re lucky to retain him.”

Torgny produced a pouch from beneath his blue cloak, handing it to Fornulf. “For your work, Fornulf.”

He took the pouch and was surprised at its weight. It had to be much more than he was promised.

Torgny must have noticed Fornulf’s surprise and said, “A little extra for you.”

“Lord,” Fornulf said bowing.

Torgny glanced back at Berengara again before he turned on his heel and mounted his white stallion. “Gods keep you well, Fornulf and family.” Torgny waived and set his horse to a canter. His men quickly followed.

“What a lovely man,” Hildegund said.

Fornulf opened the pouch, eyes wide. “And generous too,” he said suspiciously as he considered the weight of the pouch in his hands, “this has to be twice what we agreed for my fee.”

Now that was strange …


Want More? Buy a copy!

oficeandmagic_3d

Want More? Buy a copy!

COVER REVEAL FOR FOLKLORE

COVER REVEAL FOR FOLKLORE

Folklore_Cover_Boxshot_thick_cheatFolklore is the first of the Northlore trilogy. It is an eclectic mix of stories and poems, all inspired by traditional Scandinavian folklore.

The purpose of this collection is to create new tales that take inspiration from the myths and fables of Northern Europe. They should stay true to the principles of the original tales (so no flying trolls, or Elves with Laser vision, for example) but they should be original (not retellings).

The stories take place in several countries, and cover a time-frame from the Viking period (“Hold the Door”) right up to modern day (“The Edge of Darkness”).

This is not the first release from Nordland Publishing, but it is our first anthology. We are a small Norwegian company, and we are delighted to say that we received contributions from many parts of the world.

Folklore combines the work of a wide range of contributors; from previously unpublished amateurs, to award winning poets and best selling authors.

– Follow the North Road.

[NOTE from Hugh:  one of my short stories is included in this anthology. Article re-published with permission from NordLand Publishing. Link to original article]

The Chronicle of the Draugr King – Chapter 1

The Chronicle of the Draugr King – Chapter 1

For fans of my Draugr’s Saga tales, Chronicles of the Draugr King provides some back story and the legend behind the great evil Aedan and his Viking friends awoke.

LISTEN:

READ:

I make these marks on the second day of the triduum of Allhallowtide (November 1’st), in the year of our Lord 664, at the monastery of Saint Enda of Aran, on the isle of Inishmore. This Abbey is not my home, but was the closest hallowed refuge to which I could flee. My name is unimportant, though what I am compelled to record hereafter is of the gravest nature, and pertains to the very salvation of mankind on Earth.

The triduum of Allhallowtide is dedicated to remembering the dead, including our hallowed saints, martyrs, and all the faithful departed believers. This year, it is my solemn burden to cause to be remembered a spirit so far from hallowed, as to be the spawn of Satan himself. Yet, for the sake of future Christians, I must mark this lambskin and warn you of a spirit who sundered kingdoms and men’s souls as a sickle through ripe wheat.

Scholars say that the creature was born in the territory of the West Slavs, or Wends, in Anno Domini 595. He was fathered by a man called Sobieslaw on the woman Jagoda. The child’s name had been hidden, suppressed; at great cost in life and souls, it was at last uncovered. For in a name there is power. As the word God will dispel evil, Christ’s name may calm souls in the darkest hour. So the name of this evil creature, Branumir, would be our greatest weapon against him. I must stop to wonder whether Sobieslaw knew the evil his child would visit on the world, and by naming him Branumir, which in the tongue of the Wends means protection and peace, intended mockery at his spawn’s future victims. I shall refrain from judgement, for we know not the good or evil nature of the boy’s father, or of his mother, who died in childbirth.

By 595, the great light of Christendom illuminated the lands of the Wends and most of Europe. Only the pagans in the far North resisted the good word and salvation of our Lord.

Among the goodly Christian folk of the West Slavs, Sobieslaw hung on to his wicked rites, worshiping the dark gods of the pagan Slavs—who we Christians know to be Satan and his minions. Sobieslaw was a great metalworker, some hailed him a wizard of the forge. Perhaps that appellation rang more true than his honest neighbors suspected. By some misfortune, for Sobieslaw, his pagan devotions were uncovered. His King was furious, and had his people drive Sobieslaw and his young son, then only two summers old, out of their lands.

We know not precisely what route they took, but we are informed that a year after his expulsion, Sobieslaw sought sanctuary with the Danes, also a pagan people. It must be assumed that he expected a sympathetic king to employ him, for he was a talented smith. His metalwork was said to be of the highest intricacy. I shudder to inscribe this, but his work had been said to be “divine”. Forgive them Father, for they could not have known the evil he wrought, nor that which his deeds ushered into the world of men.

He was not long with the Danes before they too expelled him. One can hardly imagine Sobieslaw’s dark practices if even the unrepentant pagan Danes would not tolerate his rites and sacrifices. In time we would come to know the full breadth and depth of his evil.

In the following year, it was recorded that he travelled yet further North, to the land of the Norse. In short order, they too expelled him. This is where our tale becomes muddied. Having been expelled by three kings, Sobieslaw must have understood that he would have to practice his black arts in secret if he was to live. His name is not recorded again. It was only through diligent scholarly research that we found connections to a traveling smith who had made his way to Ireland.

His evil may have gone unnoticed, if not for the fact that he was now in Christian lands, and we Irish devotees are wont to record events, as I do now. Thusly, a large number of suspicious deaths were recorded. Had they been common folk, their passings would have gone unnoticed, but they were all of them highborn; kings, princess, and bishops. Though no immediate connection was established, as these deaths occurred over many years, and across the many kingdoms of Ireland. It was only when the Annals of Clonmacnoise were being compiled, that a diligent monk noticed a peculiar pattern. In many cases where a highborn death—under undetermined circumstances—was recorded, it was also noted that a masterfully skilled metalsmith had attended court at the same time. This diligent monk will ever be remembered for alerting the church to this great evil; brother Colman Moccu Bairdene, who later became Abbot of the Clonmacnoise monastery.

It was my good fortune to have visited Clonmacnoise and to meet Brother Bairdene. I was firmly convinced of his conclusions, and in me, he cultivated a staunch ally. An old acquaintance of mine happened to be on pilgrimage to Jerusalem in that year, and was closer to Rome that either of us. We wrote to Brother Mar Hormizd, relaying our fears and sent copies of the evidence for him to consider. He is a wise man and agreed to become our emissary to the Holy Father in this matter.

While in the eternal city Brother Hormizd presented evidence to representatives of our Holy Father, Pope Eugene the first. Sadly, as a council convened to investigate this evil in June of 657, our Lord called Papa Eugenius to heaven.

Amidst the turmoil of a papal conclave to elect a new Bishop of Rome (Vitalian, the first of his name, succeeded Eugene to the throne of Saint Peter), the investigation was set aside as a new pope began his rule of the church. For seven years Brother Hormizd petitioned every church official of note, with no success.

During Brother Hormizd’s seven years in Rome, we continued to scrutinize all new cases of unexplained highborn deaths, with which a visit by a traveling metalsmith was also recorded. Finally, one record mentioned the smiths’s son. That first record was a terrifying revelation, as we understood the full extent—or thought we did—of the evil growing on our emerald isle.

Many new pieces of evidence came to light. Over many letters, we illuminated the connection between the smith, the deaths, and the boy. Each scenario unfolded as follows: a highborn man would commission a piece of metalwork from the smith, usually ornate jewelry. The smith would come to court to present his masterpiece and the smiths’s son would deliver the object on a silken pillow to the highborn. The next day the highborn would be found dead; their bodies shriveled and desiccated, as if mummified, like the Egyptian practice (well described by Herodotus). The most disturbing common thread of these records, is that over a period of 65 years, the smith, and his young son—said to appear four or five years old— never aged. At the time these patterns were noted, the full horror of this evidence had yet to be comprehended, for when has mankind battled such evil here on Earth?

Though Brother Hormizd presented this staggering body of evidence and irrefutable conclusions, the church had other matters which took precedence.

Frustrated by the church’s inaction, we three conspired to dispel this terrible and festering evil. In the Fall of 664 we met at Clonmacnoise to set our plan in motion.

We knew the smith to be working at a chieftain’s holding up the Shannon river, to which we travelled. With funds we borrowed form the Abbey’s coffer (forgive us, Father), we hired men to detain the smith. On October 30th, under the cover of darkness, our agents secreted Sobieslaw from the chieftain’s holding and brought him to the oratory near Killaloe, on Friar’s Island. It was our hope that the evil could not escape the island of its own accord, owing to running water surrounding it.

At high noon, on the day of All Hallow’s Eve, we three began the exorcism. The smith’s son watched on. For hours we intoned the sanctified words, employed holy water and our crucifixes, to no avail. The smith, Sobieslaw, cursed us in a strange tongue, we assumed of the Wends, but otherwise exhibited no ill effects from the exposure to our holy powers and artifacts.

When, finally, we admitted defeat, recognizing that exorcism was none of our specialities, we agreed to transport the smith to Rome, for surely the Holy Father would recognize the evil instantly, and his more experienced servants could perform the exorcism. Our accord had a numbing effect on the smith. His belligerence faded. Then, he smiled at us. I admit to you, dear reader, that his malevolent grin chilled my soul. Though I knew God to be with me, I faltered, my faith was shaken. In that moment I walked through the valley of the shadow of death … and I did fear evil. God, forgive my weakness.

Sobieslaw began whispering dark words that carried the weight of oceans, yet floated as lightly as morning mist. Upon those words, his son was drawn to him. I am no poet, and words fail to capture the horror we bore witness to that day. As they boy embraced his father, in the next heartbeat the boy grew to manhood before our eyes. Then, his body and his father’s literally became one. We made the sign of the crucifix, held our relics as shields before us, but his power overshadowed our faith, like a mountain to rabbit’s warren.

Sobieslaw, if that is truly his name, began chanting in a baritone, his thunderous words shaking the ground beneath our feet. Behind us, the oratory shook, then collapsed into the earth, as if swallowed by hungry beast.

Then Sobieslaw spoke to us in Latin. “Behold my power, fools.” He looked to the sky, arms outstretched. Then, as if he had plucked it from the heavens and snuffed it out, the sun’s light failed. Night fell upon us, a chill washed over our bodies like a frigid ocean wave. We are told that at the crucifixion of Christ, the sun also grew dark, and is supposed to be a wondrous and holy sign—crucifixion darkness—they call it. But this was no holy omen. In those eternal moments of darkness, Sobieslaw’s skin grew inky black, as if he drank the heavens dry.

We were no match for that evil. We were but three good Christians with no authority or power granted by God or the Bishop of Rome. Our hubris nearly doomed us. God, forgive us, but we fled. By land and by sea we escaped. As we did, the sun remained imprisoned in coal dark shadows as it settled into the Irish sea.

Now, we must find another way, for not only have we failed to banish this evil, we forced it to take overt action in the world of men. Our pride may have ushered doom to the Emerald Isle … and beyond.

ABOUT THE SERIES:

Set in Dark Ages England, Scotland, and Ireland, Draugr’s Saga is a series of stories about a former Viking slave, Aedan. Adopted as a blood brother by Erik Ragnarsson, Aedan must find a way to stem the tide of the Draugr, which may bring about the Zombie Apocalypse of the Viking Age.

Throughout the Draugr’s Saga, Aedan enlists new friends and allies, makes dangerous enemies, and even finds love, as he travels Dark Ages Britain in a hopeless quest to stop the ancient Draugr King.
Draugr’s Saga weaves the most exciting threads of Norse Mythology, Celtic Mythology, Zombie Apocalypse fiction, all steeped in the gritty and violent Viking age. Though a dangerous time, it was a time of magic, a time when Viking Gods still roamed the land; it was a time when men and women travelled the spirit roads of Yggdrasil and divined their Wyrd with the Viking Runes.
Equal parts Historical Fiction, Epic Fantasy, and Norse Mythology, Draugr’s Saga explodes off the pages with gut-wrenching action and mind-bending magic.

 

Pin It on Pinterest